Sunnei's spring 2022 collection is here. See every look:
For all their inveterate minimalism, Sunnei’s Simone Rizzo and Loris Messina love a grand gesture. Today’s show was held in a vast warehouse, where a massive 180-foot parallelepiped-cum-tunnel was installed smack in the middle, painted in a blinding, almost clinical shade of white, which made it look like some kind of entity floating absurdly in mid-air.
To make the life of their guests not exactly easy, the Sunneis had the audience not sitting but standing, not before having struggled to find where to stand, as each assigned spot was marked with an undetectable white-on-white number. It didn’t help that sunglasses—called Prototipo 3, which looked like goggles held in place by a sort of seat belt—were distributed at the entrance to help protect the eyes from a furious blast of white light that marked the show’s start.
Rizzo and Messina have always experimented with a variety of different media to present their collections—avatars, videos, all sorts of abstruse digital renditions. This was their first physical show in a long time; the proximity of the audience to the diverse cast of models made it possible to get a real appreciation of Sunnei’s accomplishments as designers.
Pushing the Sunnei envelope, they introduced unexpected decorative flourishes of beading and fringing, which gave some swing to their otherwise quite firm, solid shapes: a beaded and fringed top paired with pooling XXL slacks was a standout, as was a pair of extra-heavy trousers entirely covered in tiny beaded fringes—the show’s pièce de résistance.
Rizzo and Messina were already dead-serious digital geeks and savvy businessmen; now they’re confidently growing into accomplished designers and entertainers—in their pristine, slightly clinical, exacting way. Yet they nurture a sense of community that’s warm and authentic. In the Milanese fashion landscape, which often lacks truly unconventional and inventive talents, they’re unique creative specimens.
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