The late-blooming filmmaker’s latest work, in competition at the Tokyo Film Festival, is thoughtful, thought-provoking and in places jarring.
Following decades in television and film, including stints as a producer, screenwriter and documentary filmmaker, Yoshiyuki Kishi made his feature directorial debut in 2016, aged 52, with
Double Life, attracting some international festival attention. He returned the following year with the ambitious Wilderness, based on the only novel by Shuji Terayama. Released in two parts
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