Sam Mendes’ World War I adventure “1917' collected a win for perhaps the least expected Oscar of its nominations
Has Oscar style strayed to the casual side? You be the judge.
“Every transition is handcrafted and has its own, very precise solution to look absolutely seamless,” Rocheron had told The Times. “It used a very wide range of techniques. Some took 2 1/2 months of work to get those few seconds — matching the lighting and the flow of the camera, the movement of everything.”
In perhaps the most extreme case, a soldier runs from a bombed-out town, jumps off a bridge into a river that turns into rapids, and emerges in a forest.“The city was built [in one location] and the river was shot in an Olympic water park: a canoe training center, basically — a man-made structure with walls and things like that,” Rocheron told The Times. “All the environment around it is completely digital. We digitally created an actor jumping off the bridge and going into the river.
In besting flashier contenders such as “Avengers: Endgame,” “Star Wars: The Rise of Skywalker” and “The Lion King,” “1917’s” triumph added to the compendium of winners also nominated for best picture. Since 1977, when at least one best picture nominee has also been nominated for visual effects, the award has gone to one of the dual nominees every time but once, in 2015 .
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