A multifaceted examination of grief, the pursuit of self-determination and generational wealth, LaTanya Richardson Jackson's Broadway reimagining has brought a new understanding and depth to the late writer's work with the help of its star-studded ensemble.
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Moreland proudly counts himself among that community of Black creatives selected to impart Wilson’s version of the history and, in some ways, the present of Black Americans. It’s a journey he says started with an invite by the Wilson estate and a weekend in Pittsburgh with the playwright’s widow Constanza Romero Wilson.
Moreland would soon after find himself in conversation with actor-producer Denzel Washington, who has taken to shepherding the late writer’s work on the screen, and later LaTanya Richardson Jackson, the revival’s director. Across the table at breakfast, the first woman to helm a Wilson production on Broadway asked Moreland a simple, but important question.
For Richardson Jackson, stepping into the role of director meant making intentional adjustments to the show in a way that would elevate the perspective of Berniece Charles (
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