It's a no from me.
When Sam Levinson released Euphoria, the world went into a frenzy. It was one of the closest to accurate portrayals of young people that we’ve seen since SKINS – a show where teenagers do what we know them to actually do; smoke cigarettes, experiment with drugs, explore their sexualities, and sway drastically from showing incredible kindness to incessant cruelty to one another. Ahh, the magic of adolescence.
I digress. As Euphoria takes a nose dive in ratings, Levinson turns his interest toward a newer, more provocative, and infinitely more controversial project than the last. Enter, The Idol. I don’t feel the need to spell out why this is disturbing – the fact that the main character of this show is essentially used as a toy for playing out graphic sexual fantasies should make it clear enough.
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