Dateline: Bangkok. We are in one of the rooms of the Bangkok Arts and Culture Center, a building that spirals its way up. Know more:
We are in one of the rooms of the Bangkok Arts and Culture Center, a building that spirals its way up. On its floor, cafes, small tidy restaurants, galleries and arts and crafts stores are assurances that this city can go beyond girlie bars and elephant farms.
June 24. The session bears the burden of its label, “Wrestle like a translator.” It has a subquestion: How do translators navigate linguistic multiplicities? Three speakers magnanimous with their experiences are there to share their universes of facing a book, contending with the writers, swimming through phrases/perceptions/perspectives and surfacing with a finished product.
Where can the author of the book being translated be found? Does the translator need to constantly consult with the author? Kong Rithdee, himself a writer, confesses that he did not consult Veeraporn Nitiprapha. They met once at a function and Veera tells him: You are translating my work. No more. No less.
Over coffee, Kristian entices Veeraporn with the idea of coming to Naga and being translated into another language Kristian, whose idea it is to bring us—the team from Savage Mind, an independent bookshop, art space and cultural hub in Naga City, in Bikol—to the forum, joins the second session on the first day. This is called “Constitutions of Survival,” a discussion of sustainability and creativity.
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