A few weeks ago, performers Charlotte Sartre and Lance Hart were shooting a film for a porn studio. She was playing the “horny woman at home,” as she put it, who had called a computer repairman, pretending that she was having technical difficulties. “Then we fuck each other in the ass,” Sartre said, irreverently describing the plot. Instead of performing in front of a handful of crew members, they were working in front of cameras placed on stationary tripods. Not only were Sartre and Hart working as their own crew but they were performing together, in-person.
, understands the demand from a director’s perspective. “I’m definitely on the lookout for anybody who is quarantined together who can perform,” he said. Hart has a friend who lives with his fiancé and two roommates, all of whom are performers. “He’s just struck gold. He can shoot the guys he’s living with,” Hart said. He added that he plans to hire his friend for upcoming shoots. “One of them I can pay to be the PA. It’s a full-on crew living together.
Hart suspects that the high demand will mean that he and Sartre can set their rate “higher and higher” as the production hold continues. But with the demand and higher paycheck comes more challenging work, which is why they are limiting these shoots to once every week, or even every other week. “It’s not any easier just because you’re at home,” said Sartre. “Every time you’re on set and there’s a bunch of people, they’re doing something.
To shoot themselves, they have to use stationary tripods, sometimes multiple ones capturing the scenes from different angles, and even those have to be adjusted throughout. “You have to get creative,” said Hart. “You can’t just set up a tripod across the room and shoot the whole thing as a wide-angle. So, imagine you’re having sex in some shape or form, and just when it’s really hot and awesome, that’s when you need a closeup.
Sartre and Hart have an advantage with non-partnered shoots as well. Recently, Sartre held the camera for Hart while he shot a few solos for Kink.com. “It is so much easier when you have a human holding your camera,” said Hart. He’s returned the favor for some of Sartre’s solo shoots. “Objectively speaking, it’s just faster to tell somebody to move than it is to get up and move something yourself,” she said. “You can keep performing, the hand can stay inside the butthole.
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