Director Richard Jones brings magic-realist noir to Wagner’s world – with results that range from poignant to distracting
) into her life through a trapdoor in the floor. Stewart Laing’s designs suggest a dying, post-apocalyptic world, where humanity exists alongside sinister anthropomorphic creatures, Wotan’s ravens among them, and black ash falls repeatedly from the sky. Hunding keeps Sieglinde confined in a wooden shack, while Matthew Rose’s hot-tempered Wotan and Rachel Nicholls’s Brünnhilde hang out in what seems to be its upmarket equivalent.
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