A Dial of Destiny scene shown at CinemaCon provides a deliberate, dopamine-inducing echo of the Cairo-set chase sequence from Raiders of the Lost Ark.
and a child actor whose name I couldn’t immediately find on IMDb Pro swerve through the narrow streets of Tangier, Morocco, in a rickety tuk-tuk. They drift around turns, dodge gunfire, dispatch knife-wielding assassins from the top of the vehicle using defensive driving, and mow down murderous motorcyclists — all while engaging in conversational parry and thrust.creator Waller-Bridge denigrates Ford’s daring adventurer as an “aging grave robber.
For savvy cultural consumers, part of the sequence’s impact will derive from seeing Waller-Bridge explode her wordy, largely inert public image as a lacerating wit — someone more likely to tear an antagonist apart verbally while seated at a café than resort to actual physical violence — by moving into legitterritory.
But the James Mangold–directed film’s more absorbing spectacle is surely all that jarring action’s soothing familiarity.’s Morocco set piece provides a deliberate, dopamine-inducing echo of the bantery Cairo shoot-’em-up chase sequence from 1981’sfootage may be, it’s impossible not to see Waller-Bridge as a modern-day substitute for Karen Allen’s sassy, brassy, defiantly self-sufficient heroine,.
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