Oscar-winning actor’s first film as director presents a dystopian vision of London that tackles family, grief, and community with remarkable clarity
in his feature directorial debut. And while it runs you through the gamut of emotions, you’ll end up full of warmth while also unmistakably concerned. It will also leave you pondering one other question: Is there anything), a solitary grafter trying to make his way out of the titular Kitchen — the last bastion of community and social housing in the city — to a quiet life of perceived safety and comfort in one of the many gentrified apartments on offer.
He’s matched by the debut of Jedaiah Bannerman, a performer with a bright future ahead of him. Bannerman goes blow-for-blow with Robinson on-screen, never looking as though the lights are too bright for him, while still imbuing his Benji with an incredible sense of personal loss as he searches for a figure to help guide him through life — wavering between the guardianship of Izi or the militia whose sole duty is the protection of The Kitchen and her residents, no matter the cost.
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