In a world where technology keeps improving as the real world gets scarier, this was an alarming vision of the Glastonbury of the future
and Clara Amfo, sitting in a field full of cows, reminisced between highlights. Soothing stuff. Meanwhile, it’s all over the radio: BBC Four is showing acoustic sets for people who prefer their music quiet, and iPlayer has been turned into a kind of Glasto copyright library, with hundreds of performances from the past 30 years. It won’t have passed by the gods of irony that the best way to enjoy this rural festival is with decent broadband.
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