Viewers who stick with the maddening stylings of 'Club Zero' will find some astonishing scenes.
) has some, to put it mildly, rather original ideas about diet, as she immediately sets about teaching her pupils to radically cut down on food.
It’s hard to convey just how unusual Hausner’s filmmaking is. The actors all seem to have been instructed to perform in a deliberately leaden way, with faltering speech patterns and an odd rhythm to the dialogue, which never quite hits contemporary beats. A close cousin to this style of performance is the work of, another European director of disquieting high-concept dystopias—but Hausner goes further in heightening that unreality.
eats with golden cutlery; outfits are unusual and buttoned-up, and seem to have been chosen to match bathroom tiles or a pair of cushions. On top of, Hausner employs distracting camera movements, especially zoom, which call attention to themselves and which seem to work against a naturalistic style of filmmaking that would humanize these characters for us.; there’s no other word for it.
What does this sleight-of-hand mean? Hausner isn’t interested in holding audiences by the hand, and it isn’t her duty to give easy answers. Instead, she offers us a, of jaundiced, depleted bodies made radiant, finding true communion with one another in a way that defies the comprehension of her own characters and perhaps our own. As in Hausner’s magisterial, a hallowed kind of grace that fits awkwardly in this gleaming, unnatural world.
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