The Emmy-nominated sound editing and mixing teams share their recipe for immersing audiences in the fast-paced culinary world of the FX/Hulu series.
Additionally, Smith says there are very few rehearsals on the show. “Chris likes to really keep things fresh,” he notes. “He likes to keep the actors off-keel and on their toes a lot of times so that their surprise in a scene is sometimes real. He likes to keep that edge.”
Dialogue editor Evan Benjamin adds that for him, “handing that off usually means trying to make something sound like it’s all one continuous piece, even though if you looked at the work I’m doing, it’s many little pieces that are stitched together.” He continues, “Syllables from other takes might be used, [or] you might use a piece of software to remove a pot clank that comes down right in the middle of one line that you really wish wouldn’t be there.
Giammaria adds that as the series was shot in a kitchen, sound was “baked in but always enhanced by the effects team.” FX editor Jon Fuhrer and a Foley team led by Leslie Bloome provided clanks, chops and all of the sounds needed to complete the scenes.
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