Take a look at the best horror movies of the 2010s, including Insidious, Sinister, Hereditary, and The Conjuring.
Horror has, in many ways, taken up the mantle of the B-movies code of creativity, using often itty-bitty budgets to create atmospheric, expressive visions of terror and the grotesque side of humanity’s desires. Directors like Wes Craven and John Carpenter emblemized this kind of thinking in the 1980s and early '90s, but the scene exploded with the advent of digital filmmaking in the 00s and, soon enough, the market was flooded with…well, mostly junk.
3 'Annihilation' Humanity is fucked. Throughout history, no matter the circumstances, societies, marriages, kingdom and mankind have always found a way to pull themselves apart and burn themselves to the ground. Sure we do plenty of damage to each other along the way, but it’s the coded inclination to self-destruct that serves as the wellspring of horror in Alex Garland’s sci-fi head trip Annihilation.
6 'Black Swan' Darren Aronofsky’s Black Swan is art and horror all tangled up and splashed across the screen in gorgeous, chilling imagery. Natalie Portman leads the film in possibly the finest work of her impressive career as Nina, a prima ballerina cast in the role of The Sawn Queen, who simply wants to be perfect. While Nina was born for the Swan Queen role, she is too goody-good to nail the role of the Black Swan.
9 'Climax' Known for his audacious storytelling, Gaspar Noé takes a relatively accessible route in Climax, an under-watched masterpiece. The movie immerses its audience into a psychedelic journey like no other as a dancing troupe's party spirals into a hallucinogenic nightmare. Noé's signature cinematography stands out, amplifying the vivid aesthetic of a bad trip that's both surreal and uncomfortably realistic.
13 'Creep 2' Patrick Brice and Mark Duplass teamed up again for another sociopath surprise with Creep 2, which sees the return of Duplass’ disarming serial killer who likes to form friendships with his victims before he sends them to his grave. The thrills and scares in Creep were born out of the utter uncertainty of what Josef—who adopts the name Aaron in the sequel—would do next.
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