In a wide-ranging conversation, Steven Soderbergh talked with Rolling Stone about the ongoing Hollywood strikes, the lack of transparency in the streaming biz, and the important role he played in boosting Christopher Nolan’s career early on.
, but from a purely artistic standpoint, I have very little interest in something AI-generated. If you divorce artistic creation from the human experience, I don’t see what the artistic value is. It’s someone giving an algorithm prompts to remix existing material into something else.
I got a lot of heat a few weeks ago for saying something similar to that. I do not think it will replace humans in this specific context in a way that will result in good art. I just don’t. I’ve played with it. I think it’s interesting. Its limitations are glaringly obvious. Life experience. There’s a no man’s land that cannot be crossed, and will never be crossed, because it’s built on things that have already happened, and its inputs are images and text and that’s it.
But I think with something like Amazon or Apple it would be exploiting its workers — particularly factory workers. I would like to think if we were running that company, we’d be more sensitive to the experience of people working for us. I’m sensitive to the experience of people working for me, but I’m saying that as somebody who doesn’t run a trillion-dollar corporation.
‘Traffic’ Best Supporting Actor Oscar winner Benicio Del Toro and Best Director Oscar winner Steven Soderbergh celebrate at the Governor’s Ball following the 73rd Annual Academy Awards in Los Angeles on March 25, 2001.I read that you played a fairly large role in Christopher Nolan’s transition from independent to studio filmmaking. A lot of people don’t know about this.Mementocouldn’t find a distributor after being on the festival circuit for a year.
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