This episode is filled with so many literal beatings.
Our sophomore beating switches the dial on whatever interdimensional cable box I must’ve been watching, and the show goes full daytime network:. Dave Annabel is absolutely rocking this sexy gray beard and a white lab coat look, so I can’t say I’d blame anyone for giving him room to smolder, you know? Anyway, Neil has to tell a little girl’s parents that she has a terminal, melon-sized, in her head, they can only get out by removing her eye and like a quarter of her skull, but she’d still die.
We’ll see. It is pretty interesting, though, when Kate interrupts her mom and dad’s impromptu foolin’ around in the kitchen to fake-cry through a sorry to her dad and flash her mom a Lioness’s death glare on the way out. “How’s that for love?” She whispers, like what she’s really saying is,Joe and Neil are boning when they both get calls from work. But don’t worry; they make sure ‘n pop off before they answer the phone.
Joe means it. She’s calling Cruz’s parents and telling them a lie about their daughter dying in a training exercise. Her goal here isn’t to see how much Cruz can take but to know exactlyshe can’t take anymore and how much time that’ll give her to mount an assassin’s rescue. “She’s on a suicide mission,” Joe will say later. “I’m just giving her a shot.”
She’s basically right, but the commanding officer on sight calls it off before Joe’s satisfied with the results. Then Cruz lays a beat down on almost everyone in the room, which is how you want this mad scene to endto end to really work. Sheridan is clearly invested in physical torture as an emblem of one’s position to power. How you take a beating is always the key to your subsequent fortunes.
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