Buoyed by a sturdy local industry and sent soaring by the influx of international broadcasters, audiovisual production in Paris rose to record-setting levels in 2019. The French capital remained Ga…
Buoyed by a sturdy local industry and sent soaring by the influx of international broadcasters, audiovisual production in Paris rose to record-setting levels in 2019. The French capital remained Gaul’s leading production market, encompassing 40% of all national and 36% of all foreign shoots in the country last year.
Indeed, last year saw 5,465 shooting days in Paris alone – a number up 10% from that of the previous year, and a staggering 84% from the 2,970 shooting days of 2015. And if the sheer scale of increase is staggering, its cause comes with little mystery. “This is, for the most part, due to the rise of series production thanks to our new friends from Netflix, Amazon and American TV,” Gomez adds.
“Today, I’d say that everything is difficult and everything is easy,” Gomez says. “Our job is to make things possible.”
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