next@90 festival serves up three weeks of forward-looking choreography.
Robert Garland likes what he sees during San Francisco Ballet rehearsals of his new work, “Haffner Serenade,m” one of nine new works the company is presenting as part of its next@90 festival.San Francisco Ballet pops open the champagne — and breaks out the ballet shoes — to celebrate its 90th birthday with the next@90 Festival beginning Jan. 19.
the company. Tómasson initiated the festival during his tenure, so next@90 gives him a last word, and lets him introduce to audiences what may lie ahead as Rojo takes the reins and invites her own pick of dance makers. The first movement of the Symphony No. 2 by Mahler is the backdrop for “Resurrection,” by Jamar Roberts, his first narrative work. Both a longtime dancer and former resident choreographer with the Alvin Ailey American Dance Theater, Roberts also has a background in visual arts and is creating the scenic elements himself.
Bridget Breiner, artistic director and principal choreographer of Staatsballett Karlsruhe in Germany, chose Britten’s Violin Concerto to accompany her first work for S.F. Ballet, “The Queen’s Daughter.” Breiner doesn’t develop her take on thr biblical story of Salome in the Oscar Wilde vein, with the daughter of Herodias as a seductress, but rather delves into the relationship between a young girl and her mother.
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