REVIEW | In ‘The Fabelmans,’ Spielberg looks back in vanity | Mark Kennedy / The Associated Press

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REVIEW | In ‘The Fabelmans,’ Spielberg looks back in vanity | Mark Kennedy / The Associated Press
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A movie by one of Hollywood’s most successful directors that’s based on his early life begins, appropriately enough, at a movie theater and ends in a movie back lot. Know more:

is clearly a very personal film for Steven Spielberg and it’s as much a coming-of-age journey as a form of expensive therapy with John Williams offering lovely mood music.

“Movies are dreams you never forget,” says his mother, a frustrated concert pianist played by Michelle Williams, trying to coax him in. “Dreams are scary,” he replies. Meanwhile, an overacting Williams has come into focus — a mom who is a little batty, sometimes goofy and sometimes downright dangerous, as when she drives all four of her kids into a tornado. You may leave the theater knowing as much of what’s going on with her as when you arrived. “You really see me,” she says to her son at one point, but the rest of us really don’t.

A big wet valentine to filmmaking, “The Fabelmans” fits into the latest wave of directors looking backward, including Alejandro Iñárritu’s “Bardo,” Charlotte Wells’ “Aftersun,” Kenneth Branagh’s “Belfast” and James Gray’s “Armageddon Time.” And Cameron Crowe’s semi-autobiographical, coming-of-age “Almost Famous” just landed on Broadway in musical form.

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