A photography exhibition in Beirut is featuring images and videos of homes destroyed in southern Lebanon, a reminder of the ongoing conflict between Israel and Hezbollah.
Photographs are pinned to a map of southern Lebanon at the ‘Hkeeli ya Jnoub’ exhibition in Beirut on July 17, 2026.
The exhibition includes ‘Keys Without Homes’ by artist Adeeb Farhat, commemorating homes destroyed in southern Lebanon. — AFP pic! Plus, enjoy an additional FREE RM10 when you sign up using code VERSAMM10 with a min. cash-in of RM100 today. T&Cs apply.
BEIRUT, July 19 — Tears streamed down south Lebanon resident Fatima Hajj Ali’s face as she stared at a host of keys hanging like wind chimes from the ceiling of a Beirut museum – each one symbolising a home, like her own, destroyed by Israel. Hajj Ali is among the thousands of southerners who lost their houses in the recent conflicts between Israel and Hezbollah, the first of which broke out in 2023 when the group launched attacks in support of its ally Hamas, and the second in March when it entered the Middle East war on the side of its backer Iran.
“We were supposed to go home and open the door with the key, but there is no door anymore,” the 23-year-old said. Despite a lull in fighting following the signing of a memorandum of understanding between the United States and Iran on June 17, intermittent Israeli strikes continue, as do widespread demolitions in and around occupied villages, making it impossible for many people to return.
The exhibition “Hkeeli ya Jnoub”, or “Tell me, O South”, features pictures and videos preserving the memory of southern Lebanon at the capital’s Beit Beirut museum. Walking through, Hajj Ali reminisced on her home in Nabatieh al-Fawqa, which she was only able to visit once after an April truce that ultimately failed to stop the fighting.
“I long for sunset and to hear the call to prayer in our garden while I drink my coffee,” said the psychologist, adding that Beirut had “beautiful” places, but “they are not home”. A visitor walks through the ‘Hkeeli ya Jnoub’ exhibition in Beirut on July 17, 2026. The exhibition features ‘Keys Without Homes’ by artist Adeeb Farhat, preserving memories of homes destroyed in southern Lebanon.
— AFP pic One of the projects on display is “Keys Without Homes”, which comprises videos of three southerners who kept the keys to their houses, even though they no longer exist. The artist, 36-year-old Adeeb Farhat, himself from the south, said the idea came to him during the previous war in 2024, when he feared losing his own home.
“I was constantly haunted by the question: What will happen to my house? Will it be bombed? And how will my relationship with my house key change? Will we become the new Palestinians?
” he said. There is a longstanding tradition among Palestinians of keeping the keys of homes they lost during the Nakba – or “catastrophe” in Arabic – which saw the flight and expulsion of an estimated 760,000 Palestinian Arabs during the creation of the State of Israel in 1948.
Within the exhibition halls, a bedroom, living room and kitchen – complete with a glass jug, coffee pot and spice containers – recreate details of daily life in the homes of southern Lebanese residents. The exhibition also includes an old photograph of the coastal city of Tyre, a black-and-white video of Nabatieh, and notebooks in which visitors wrote down their memories of the south.
In another work called “What Remains”, Sama Beydoun, 29 and living in Paris, showed pictures of her grandfather’s now-destroyed home in Bint Jbeil, near the border with Israel, which she last saw in 2025. However, a technical glitch resulted in most of the images appearing blurry, making them look like a “dream”, Beydoun said.
Keys of destroyed homes hang from the ceiling as part of an installation titled ‘Keys Without Homes’ by artist Adeeb Farhat at the ‘Hkeeli ya Jnoub’ exhibition in Beirut on July 17, 2026 to honour memory of the homes lost in southern Lebanon during the conflict. — AFP pic “I remember how many people this house brought together, how my family grew up there, how many generations it witnessed, and how life changed, while some things remained constant,” like the weekly Sunday gatherings, she said.
In a photo essay called “Manufacturing Estrangements”, Rawan Mazeh, 29, tells the story of a couple detained in the notorious Khiam Prison, run by the South Lebanon Army, an Israeli proxy militia, during Israel’s 22-year occupation of south Lebanon that ended in 2000.
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