An augmented reality photo project that captures the energy of DJ sets.
“[…] If I’m shooting archival content, I’m scouting dozens of specific DJ sets to find the one that fits the energy I’m looking for […] When I’ve found it, I’m shooting it as if it’s live: focusing on finding expressions and key moments that matter to tell the story. For [actual] live shootings, I’m going to clubs or venues, mainly in Lyon where I live.
“Obviously for archival content, it’s not an easy task to find the right set for the right DJ, as the recording quality is sometimes quite poor […] you have to find a well-lit HD video if possible […] During live shooting, the high-key mono mode has difficulties triggering in low light environment such as clubs.”
“[…] sometimes you have to do a 2- or 3-second-long exposure and wait for the results. Three seconds where you have to follow the movements of the DJ, almost like a dance. Another challenge is that people don’t understand why I stick in the front row for 20 or 30 minutes with a smartphone so I get a lot of haters until I show them the results.
“[…] this photo mode is still in its infancy and is tricky, especially in such lighting conditions,” he says. “But after years of practice, I know the pros and cons and easily get over it.”
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