TOKYO, Dec 26 — Fuelled in part by the success of TV hit “Shogun”, foreign studios are hungry for quality Japanese content and local creators are adapting to meet...
Hiroyuki Sanada in ‘ Shogun ’ — Image courtesy of FXas a first-time user . Exclusively for Malay Mail readers: Use codeTOKYO, Dec 26 — Fuelled in part by the success of TV hit “ Shogun ”, foreign studios are hungry for quality Japanese content and local creators are adapting to meet demand.
Netflix’s 2023 adaptation of the manga superhit “One Piece” — starring Mexican actor Inaki Godoy as the lead — was hailed by viewers and critics alike and will return for a second season. But Japanese companies lack “know-how” when it comes to things like negotiating rights, she told AFP. Similarly, the 2017 supernatural thriller “Death Note” was panned for veering too far from the original manga.
“Everyone was open to tackling those challenges together... At every step, everyone was understanding about how we should do it,” he said. “But nowadays, especially since Covid, the producers in their 30s, 40s, they watch anime together with their kids on Netflix or Amazon” and then reach out, he said.Japanese broadcasters have also become “better and better presenting and marketing their content” abroad, said Makito Sugiyama, executive director at the Broadcast Program Export Association of Japan .
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