He’s become a better, more watchable and more consistently bankable comedic lead than any other male actor going around.
that shifts the entire film. Ryan Gosling’s Ken is standing outside a school when a mum approaches him and asks him for the time. It’s the first time Ken has ever felt respected. A look flashes across his face: in a single moment he moves through shock, confusion, delight and arrogance before settling on a facade of nonchalance.
In that second the gamut of Ken’s personality and character arc sprint across his eyes. It’s a remarkable show of acting. It’s also hilarious.Ryan Gosling is not usually described as funny. He’s your classic leading man – expected to be charismatic and charming but not laugh-out-loud funny. He made his name in emotional dramas likeBut Gosling is funny. In fact, he’s a comedic force, with several guffaw-inducing performances under his belt.
Unfortunately, Gosling has fallen into a trap that has affected many actors, who are so traditionally good-looking that they get typecast as stoic leads, despite being at their best when allowed to embrace their weirdest impulses; character actors trapped in the chiselled bodies of movie stars ..
Many famous comedic actors lapse into cringey gags and lazy gross-out humour, or resort to simply shouting nonsense into the abyss, mistaking noise for jokes. They become repetitive and embarrassing self-parodies. Think Adam Sandler’s past decade or so.But Gosling is never grating or annoying. His shtick never gets old. He doesn’t even have a shtick. His résumé is versatile and fascinating; he’s as capable of subtle nuance as he is broad physicality.
Ryan Gosling probably won’t win the Oscar for best supporting actor – that will go to Robert Downey Jr for
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