Queen and Adam Lambert aren't done touring yet.
When it comes to the “improvements” you’ve made to the show, what can fans expect to see that’s new with this leg of The Rhapsody Tour? much, we don’t want to spoil it. [laughs] But the nice things is that the material is what ultimately gives the ideas, and we’re able to develop those ideas as we go along. We get to throw more and more stuff in, production-wise.I will say, the technology has come so far, even in the 10 years that we’ve worked together.
That’s really interesting — how exactly do you go about adding new songs or new moments on the fly like that? [laughs] I mean, we also always do a soundcheck. The soundcheck is the key thing for us, I think. Every time we go into a new city and set things up, we’ll go into a soundcheck for two or three hours sometimes.
Brian, I wanted to congratulate you on your recent knighting from King Charles III — what was that experience like for you?It was nice! It was a lot more exciting that I thought it would be, really. We’ve interacted with King Charles a lot — he was at Live Aid! We’ve worked with him on the Prince’s Trust, which is a wonderful charity that takes care of young people, over the years. So meeting him and having him actually do that for me, was actually a really big deal for me.
Queen has one of the most prolific songbooks in modern rock music. Obviously there are the core set of hits that you’re gonna play almost no matter what — do you have any favorites in particular to perform that maybe aren’t as monolithic?You know, there’s some stuff that we know would be very difficult — Roger mentioned “The Millionaire Waltz” once. But a lot of the stuff we do anyways is fairly complex — the key is you don’t play the record. We really play how we feel on the stage.
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