Nam June Paik: Moon Is the Oldest TV review – the adventures of a multimedia maverick

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Nam June Paik: Moon Is the Oldest TV review – the adventures of a multimedia maverick
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Documentary shows the awe-inspiring vocation of this avant garde disruptor, who foresaw the internet and meme culture’s importance in the 1970s

am June Paik was a Korean video art pioneer, experimentalist and avant garde disruptor whose amazing, anarchic career – which flourished in 1960s and 70s New York – is recounted in this amusing and engaging documentary, the title of which is taken from one of his works: a luminous disc on a screen, telling us we gaze at the TV in the submissive way we once stared at the moon.

Paik was a music student and pianist, radicalised by his period in 1950s West Germany during which he encountered Schönberg, Stockhausen and especially, who became a lifelong ally. Cage has a droll remark about Paik’s wacky, confrontational concerts and happenings: “More entertaining to recall than to experience at the time.

Paik’s work also involved the manipulation of TV images, an artistic “talking back” to the TV, and there is a sense that he foresaw the whole of the internet and Web 2.0: his 1974 work Electronic Superhighway arguably anticipated the phrase “information superhighway”. He was a kind of Warhol figure in his fascination with the image: a very modern creator.

Nam June Paik: Moon Is the Oldest TV is released on 19 May in UK and Irish cinemas, with an Australia release to be confirmed.

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