'I'd Rather Cry and Dance': How Ava Max Turned Heartbreak Into Euphoric Pop

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'I'd Rather Cry and Dance': How Ava Max Turned Heartbreak Into Euphoric Pop
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In an exclusive interview, AvaMax opens up about how she poured her heartbreak into her deeply personal new album ‘Diamonds & Dancefloors’ — the pop star’s best body of work yet.

. She’s looking at it as a kind of catharsis, one that she’s excited to share with the world on Jan. 27. “I’m happy it’s not going to be mine anymore,” she says. “I’ll be like, ‘Okay, it’s over. All the heartbreak is over. And now, we can just dance.’”with Max in mid-January and on the drive to her place, I find a 2008 pop/R&B EP that she recorded as a 14-year-old under her first stage name, Amanda Kay.

Max admits that even though she always wanted to be a pop star, she’s not actually a fan of the razzle-dazzle, “lights, camera, action” part of fame. “People think I can just sing on stage and be crazy. But it’s like, I have to turn that on,” she says. “That’s Ava Max. By myself, I’m Amanda.” After settling in Wisconsin, where Max was born, her parents balanced three jobs each to support her and her brother Denis. Her mom worked at a movie theater, a bakery, and as a housecleaner, while her dad juggled cab driving, baking pizzas, and doing electrical engineering. “It’s like they didn’t sleep,” she says. “I remember my mom broke her shoulder and still went to work and was cleaning with a vacuum with her broken shoulder.

On “Maybe You’re the Problem,” Max sings about finally realizing that the person she’s with refuses to take any accountability for their behavior. “Drama always follows you home, but I won’t be waiting no more,” she declares on the track. It reflects how she took back her own autonomy. “I just had to choose myself,” she says. “I was like, ‘I’ve worked my entire life for my career. I’m not going to let someone take that away from me.

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