Get the best seat in the house for your Barbenheimer double feature.
Nearly everyone at one time or another has had to endure seeing a blockbuster movie from the POV of a milk mustache under the main character’s nose. The front row is where the tardy are relegated, where those who have yet to master the chicanery of pre-orders and reserved seating must be exiled. There is no question that they are the worst seats in any house. The existence of a worst, then, must suggest its opposite: The ideal seat.
The center positioning is also good for sound. “You have the best placement for surround sound, and your ears catch the full effect of all the speakers in the house working together,” says Muto. Sitting too close to one side isn’t as much of a downside as it once was, at least from a sound perspective. Audio companies like THX now try to tune the speaker performance and arrangement to deliver more consistent sound to everyone in the room.
When you factor IMAX, however, the variables aren’t exactly the same. “We have a patented design for our theater geometry,” explains Brian Bonnick, chief technical officer for IMAX. “We start off with a screen that goes from wall to wall, floor to ceiling as opposed to having – in most theaters – a frame around it. The second step is that the seating deck is stadium style, and it’s much closer to the screen. So your field of view becomes much larger, from any seat in the theater.
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