Growing up in public as the youngest member of a famous family wasn't always easy for noahcyrus. But she's fought through addiction and turmoil to find a new sense of balance — and she's ready to share her story with the world.
bucolic, family-run riding center perched off a chalky street in Calabasas, California, takes some effort to find. If you’re in a car, you wind your way down Ventura Boulevard and around anonymous office buildings, past the flower-strewn pet cemetery where Humphrey Bogart buried his cocker spaniel Droopy, through groves of bursting palms and spiky hedge plants. The reward, once you’ve made it, is a rush of silence.
Fashion Direction by Alex Badia. Produced by Brittany Brooks. Styling by Brett Nelson for The Only Agency. Market Editor: Emily Mercer. Hair by Laura Rugetti for The Only Agency. Makeup by David Velasquez for Rare Creatives. Location Far West Farms, Calabasas, California. Main image: Jumpsuit: Marine Serre; Earrings: Loree Rodkin. This image: Dress: Iris Van Herpen; Earrings: Stefere.
Those lines can knock a person sideways, and they’re how Cyrus chose to open her album. They come from “Noah ,” a ballad that laces together gentle fingerpicking and Cyrus’ piano melodies, before building into an emotional crescendo. She’d shared an early demo with Crossey when she first met him in his Culver City studio. “I was blown away right out the gate with the songwriting,” he says. Her lyrics were intimate and fearless.
Cyrus’ struggle with Xanax coincided with just how ubiquitous benzos and other prescription drugs have become in pop culture over the past several years, especially in music. Songs that list out contents of entire medicine cabinets have spiraled off into mini genres of smooth Xan-rap and lethargic pill-pop, striking a chord with a younger generation.
“Noah had a really strong sense of what she wanted,” Crossey says. Her writing is rooted in the classic country and folk artists she loves, like Kris Kristofferson and Terry Jacks, and she guided the arrangements to sound timeless and minimal, yet unexpected. On the title song, “The Hardest Part,” it was her idea to keep the percussion rhythm stripped back; on “I Burned LA Down,” she wanted the drums just a little offbeat and out of the pocket.
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