If 'Art Angels' tossed pop, dance and nu-metal sounds onto a wall like a Jackson Pollock creation and rendered its characters with Bruegel-esque detail, then Grimes' newest paints in broad, unengaging strokes. anticlimaxwell's review -
Looking for deities, climate change, demons or anything of that sort ontakes more effort than most listeners might care to muster. Take “Darkseid” as an example: The track’s throbbing, captivating bass line happens to be among the album’s most musically engaging moments, but Boucher’s “We don’t love our bodies anymore” refrain at most blurrily depicts the disheveled state in which people find themselves as the world around them crumbles.
“Delete Forever” is woven from the same acoustic shuffle as’ galloping “Belly of the Beat” and “Artangels,” but the new fabric just isn’t as warm or enticing.’s themes: Boucher has said that she wrote it about the opioid epidemic on the night of Lil Peep’s overdose. She also reckons with drugs on “My Name Is Dark,” on which she praises them, and she’s admitted that she strained to relate this song to the record’s arc.
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