On Gregory Alan Isakov's sixth LP, Appaloosa Bones, the folk singer/songwriter turns to familiar comfortable inspirations. Read our review.
I don’t quite recall the first time I heard Gregory Alan Isakov’s “Big Black Car,” but I do remember thinking I’d found something special. The indie-folk singer’s unpretentious storytelling, his grippingly simple finger-picking, the mystic, itinerant feel of it all: It was like I’d stepped into the backing-track of some haunting, quiet loss. At 11, I’d never experienced one myself, but I got the gist.
That reliability posits Isakov as an artist unlikely to release a song like you’ve never heard before, or a cutting-edge record full of novel sounds and ideas. But it doesn’t really seem like he’s trying to. He sings about 19th-century circus artists and vast Western skies, trusty horses and departing sweethearts. You could put him, Johnny Cash andoccasionally teeters on repetitive.
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