“Subscription to Mischief: Graffiti Zines of the 1990s” at Lett_Arc is a deep dive into the print media that brought the movement together.
Graffiti is a divisive art. It’s covert, appearing overnight in highly visible, though often unlikely and precarious places, difficult for the average viewer to make sense of. Some see it as a nuisance; others, a point of pride.
Drawing on the Archive’s collection and the private collection of Greg Lamarche, founder of the seminal graffiti publication Skills Magazine in the 90s, the exhibition is packed with ephemera of all kinds, from zines and spread layouts to sketchbooks and photographs.
We get KFC’s Colonel Sanders holding a McDonald’s Happy Meal box; Mickey Mouse and Donald Duck are recurring characters; Yoda and Krazy Kat make cameos. In these instances, graffiti shines as the visual mode of Hip-Hop culture, alongside rap music and break dancing, a visually sampled and remixed regurgitation of popular culture spit back onto the walls of society.
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