From Flamenco updos to Roaring Twenties brows, the best beauty looks backstage at the CVFF show.
. “It’s that rock-and-roll, take-no-prisoners cat eye,” explained Kabuki of the accompanying thick, black flicks on the eyes, name-checking late R&B singer Amy Winehouse and 1990 film, which was set in 1950s Baltimore.
palette’s Rainbow Brite hues to paint on a full face of makeup worthy of a Grace Jones album cover or a Richard BernsteinAbove the neck, a few of the designers delved further on the dance cultures their performances highlighted.
Burgeoning designer Hillary Taymour, ever the color enthusiast, showcased the night’s most scene-stealing head-to-toe beauty looks, conceived for her label Collina Strada. “I’m looking at the outfits and almost seeing the bodies like a silhouette,” explained Kabuki, who supercharged the body withbefore freehand-painting limbs, chests, and faces in saturated, geometric strokes of paints. “It’s almost like an abstract Matisse thing.
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