FellowTravelers asks for true vulnerability from Matt Bomer and Johnathan Bailey, who deliver performances without compromise.
. “We’re two ice skaters dancing together—it sort of felt like that,” Bailey says with a laugh. Bomer chimes in: “It was really interesting to find the different types of expression of their love and intimacy over the different time periods,” he says. “It was like opening a Christmas present every time I would see Jonny in a new time period and see what he would bring to the table with it in this new chapter of Tim’s life.
The ’80s segment of the show, glimpsed through to the final episode, opens with the characters separated—with their tense, heartbreaking reunion leading into the narrative’s conclusion. Over eight hours, the show ambitiously recreates everything from ’50s DC to ’70s Fire Island to ’80s Bay Area—all in Toronto and somehow, per Rogers, under budget. The final scenes take place at the famed AIDS quilt, with the production designers thoroughly reimagining the iconic National Mall site.
“I had a really weird time,” he says. At the time, he’d regularly commute between Canada and the UK. And for his last day makinghe worked through an emotionally draining 19-, maybe 20-hour shoot with Bomer. The work bled into the weekend. Bailey finally left the set for the last time. And by Monday, he was back in Regency-era England, transported 200 years into the past, in character as Anthony Bridgerton.
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