Oscar nominees Jonathan Redmond and Matt Villa describe balancing the powerful concert performances and the dramatic moments in Baz Luhrmann’s audacious look at the King of Rock ’n’ Roll.
A few years later at Russwood Park, Presley’s performance is one of defiance against the colonel’s direction. “We started off slowly and lulling Colonel Parker into a sense that he’s going to do the right thing,” says Villa. “When he starts his wiggle, we realize that he’s going to stand true to himself, and it becomes quite a grungy performance, and sexy and energetic.”
The editors marveled at Butler, who has been nominated for an Oscar, and his takes throughout the movie, with Redmond noting, “It was really hard at times to cut away from Austin’s performance. But Baz was pretty clear that we weren’t making a concert film. We were making a narrative drama with a lot of music.”
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