We chat with ViolentNight director tommy_wirkola about his delightfully R-rated new Christmas action flick, casting David Harbour, and his previous work with David Leitch:
Santa becomes an unlikely action hero in Violent Night, the new film from director Tommy Wirkola . David Harbour stars as Santa Claus, an alcoholic and cynical old gift-giver who nonetheless fulfills his duty to deliver presents to children every year. However, when he comes across a hostage situation involving the family of a young girl who still believes in the magic of Christmas , Santa decides to take on the villains and their nefarious leader, the so-called "Mr.
Tommy Wirkola: I'm so glad to hear you say that, because that was the goal: how can you make a crazy Christmas action movie with all this extreme stuff you want to put in there, but still have you leaving it filled with Christmas spirit? That was the goal, at least. Tommy Wirkola: Well, there were a few things, to be honest. When they sent me the script, they did say, yeah, "It's like Die Hard with Santa Claus.
We sent him the script, and he was shooting in New Orleans at the time, a Netflix film. He read it; he loved it. I Skyped with him two days later, and he really got what the film was supposed to be, and he got the humor and the heart of it all. He was in very early on. That was kind of what solidified it for the studio.
When people ask me what makes 87 unique, I always say it's that they truly have a big, huge love for action movies, and they know action movies. They really want to make amazing action films. So when you go in there and meet with them and discuss the script, it's all about: how can you make this as good as you possibly can? How can you make this stand out? And they really wanted to make R-rated entertainment, which is rare these days, to embrace the R.
Tommy Wirkola: No. I've been very lucky. And I do some of my films in Europe, and it's easier there. There's not a studio, per se. I have to say, Universal on this one were amazing. There were times when we sent the script, after rewrites, and it was like, "They're probably going to say no to this, or no to that," but they were like, "No, go for it!" I think they knew that if this film could succeed, you would really have to just swing for the fences.
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