Riley Keough and Sam Claflin lead an adaptation of Taylor Jenkins Reid's bestselling novel about the meteoric rise and fall of a Fleetwood Mac-like band in 1970s Los Angeles.
) reworking the lyrics to the song he’s just written. From his perspective, it’s fine as the straightforward declaration of love that it is; from hers, it’s missed potential to dig deeper. To Billy’s great irritation, their producer Teddy sides with Daisy. “You wrote a good song,” he tells Billy. “Not a great one.
”, Amazon’s adaptation of Taylor Jenkins Reid’s bestselling novel about a fictional band in the 1970s Los Angeles rock scene, is a good show, not a great one. There’s much about it worth celebrating, especially for readers who’ve long dreamt of seeing these characters brought to life and listening to their hit albumfor real.
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