BLUE ENCOUNT Talks the Band’s Future as Reflected in ‘Z.E.R.O.,’ the Ending Theme of ‘Code Geass’

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BLUE ENCOUNT Talks the Band’s Future as Reflected in ‘Z.E.R.O.,’ the Ending Theme of ‘Code Geass’
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.BLUEN_official discusses the band's future as reflected in ‘Z.E.R.O.,’ the ending theme of ‘Code Geass’ and more.

In 2022, the same year that the band made this unusual decision, it released two new songs: “Ao” and “Owaribi” . Listening to them, you get a clear sense of what a forward-looking and ambitious band BLUE ENCOUNT is. Now it has released a new song, “Z.E.R.O.,” a culmination of BLUE ENCOUNT’s efforts this year. “Z.E.R.O.” was written as the ending theme for thein commemoration of its 15th anniversary.

Yuya Eguchi : Being able to share the news with our fans about Tsuji has made a huge difference. Since the announcement, I feel like the relationships between us four have been better than ever. We’re discussing all kinds of things, and there’s a real feeling of unity. Because of that, we’ve been able to write great songs and put on great shows.Tanabe: I think it’s the biggest thing that’s happened to us.

Tanabe: Of course, the best thing would be for the four of us to keep what we were doing, without changing things up. But, in a way, I thought his decision would also have a really good influence on us. That situation, and the COVID situation, had in a way presented us with new opportunities. Over the past two years, we haven’t been able to put on live shows like we would have liked to.

Tanabe: The song was a great fit for BLUE ENCOUNT from the very start, which is why I think we were able to create it using our new approach. It was our first attempt, so it was really hard going, but I think it served as a great litmus test.“Owaribi” is also a great song. I feel like it’s been a while since you wrote that kind of love song.

Tanabe: The songs that we set out to write as really big, sweeping songs didn’t turn out that way. We’ve had a ton of songs where that’s what we were setting out for, but the four of us were never all fully satisfied with them. Sometimes it was like the starting point, which was just me singing while playing guitar, had the most expansive feel, and we just couldn’t get that feel across in the final song. I think I was able to finally achieve that by using a computer.

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