'Within this environment, quiet moments of tenderness and imagination become more poignant: in Lennie’s hands, a canvas bag shapes itself into a bunny—the workers envision a house like an object embraced in the air.' | IreneCHsiao
were notable—unconcerned Wilis at home in their realm, dancing by moonlight in labyrinthine structures of their own making, a few men permitted to exist here and there, as long as they cooperate, occasionally offer support, and don’t interfere too much. Only the first duet extends to the length of any import. But no violence need occur, as Jaiani gently leads Barbosa away from Jung—eyes covered so he can’t find his way back.
Everyone is similar: dirt-colored, flat-footed, hungry to get ahead—so when Curley’s wife struts in, pointes piercing the ground beneath her, she catches your eye—and theirs—and she knows it.
Trouble erupts when Curley’s wife wonders whether she can best this most dangerous man. Lennie likes hay. Feathers. Hair. It’s a disaster.
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