The Venice International Film Festival, which begins this week in the Northern Italian city, looks better than ever at 90.
“White Noise” is one of four high-profile Netflix films hoping to make a splash at the festival, which is an important platform not just for the streaming service, but for all Oscar hopefuls. Baumbach’s last Venice film, “Marriage Story,” went on to get six Oscar nominations and, who is also returning this year in Florian Zeller’s “The Son.” It’s the first of many fall festivals that will refine the awards conversation for the rest of the year.
Field, Baumbach, Aronofsky and Zeller are also among a slew of filmmakers with good Oscar track records who are making their first stop at Venice in competition: There’s also Martin McDonagh’s Colin Farrell and Brendan Gleeson friendship drama “The Banshees of Inisherin”; Alejandro G.
“The opportunity to bring people to the festival is something I treasure,” Linde said. “This is really about three great American artists coming to Venice: Laura, Nan and Steve.” Venice may not always produce the best picture winner, though there are some like “Birdman,” “Spotlight,” “The Shape of Water” and “Nomadland,” and many more nominees.
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